Moving
right along. Now that one string of yarn has been successfully
untangled it is time to move one to a different thread. And that is
how all this has been effecting the way I see and understand my own
writing. My farthest along work in progress is called The
Alchemist's Daughter. And right away the connection should be easy to
see. Here I am writing a story that has an alchemist as the
protagonists and I hear about this understanding of literature
through alchemical symbols.
Let me
take a moment to explain where the concept of this book idea came
from and how it has grown. It started with inspiration which came
from three distinct places: The Full Metal Alchemist, season four of
Buffy the Vampire Slayer, and Firefly. These were the three main
ingredients put into the soup that would become (and is becoming) the
Alchemist's Daughter. What followed was a class called Morality after
Modernity taught by Dr. Thobaben, the dean of the school of Theology
and Formation as Asbury Theological Seminary. The final project of
this class was to write a fictional short story then a social critic
of the story. It was the perfect opportunity for this story to begin
to take shape into what I will now and forever call the story's seed.
The story was then shaped by the social change from Modernity to
Post-modernity. Last November this seed became the starting point for
my Nanowrimo Novel. The world was fleshed out the characters grew and
somewhere I started to wonder if there was more to this story then I
had originally thought.
It was
about that time that I came in contact with Reggie Gate's pod caste
one episode talked about the Narnian Code a book (or rather two books
and a DVD) which grew out of one man's thesis from Oxford. And this
was where I was introduced to what Medieval Cosmology was. The
concept is that there are seven planets that revolve around the
earth: Mars, Venus, Sun, Moon, Mercury, Jupiter and Saturn. Each of
these effect people on earth for they are not death lifeless planets
but the homes of spirits, or possibly spirits themselves. Supposedly
C.S. Lewis wrote each of the Narnian books according to one of the
planets. It is actually an interesting subject and the Narnian Code
is another book on my list of Nonfiction books I would like to read
before the end of the year.
Quite
frankly I loved this concept and not only has it been added to the
cosmology and system of magic in The Alchemist's Daughter, also it is
the foundation for another of my works the Utopian Chronicles, and it
will probably play a large role in a top secret project known only by
the code name “My Epic”.
But how
does this connect back to the topic of this enormous stream of
consciousness? Well first as I listened to Prinzi and Granger talk
about Alchemy I quickly saw how I could easily incorporate these
themes into my story which is already about an Alchemist. And second
was a turn that I didn't expect. They began to talk about the use of
alchemy in terms of the predominate philosophical world views of our
time. The critic of modernism by post modernism, and how
postmodernism may raise many good questions but it fails to give
good answers. They began to talk about how Rowlin, Meyer, and Collins
use the Alchemy to show the postmodernist that there is something
good and beautiful in the world. How they get into the post modern
worldview and critic it by saying that there is a narrative that is
true.
Now I
will talk about this more in a minuet but here I want to continue to
unravel how this idea relates to my own writing. See I don't consider
myself a postmodernist. I think the worldview is flawed. That is not
to say I am a modernist, I think that worldview is also flawed. And
each of my works reflect my thinking on the material and the
Spiritual. It seems to me that Modernism divorced the two and
postmodernism attempts to eradicate the spiritual. Alchemy is the
harmonizing of of the material and the spiritual. And it is that
harmony to which I aim for in my writing, or at lest the need for
Harmony.
In The
Alchemist's Daughter Magic is a reality but it has been outlawed. No
matter what kind of magic user they are they are seen as enemies of
the state. Sciences has concord magic. The whole story came from one
line from the Full Metal Alchemist: “I don't have to follow your
superstitions I am a man of science!” Listening to the conversation
between Prinzi and Granger has possibly solved a problem I have been
having with the idea of making this book into a series, a goal. Not
to mention a changing of the structure.
Their
talk is also influencing another of my projects Ashes and Snowflakes.
This project grew out of my hatred of what Stephanie Meyer did to
vampires making them into, well as Cordelia put it “care bears with
fangs.” Listening to John Granger however pointed out that these
book has at it's core an attempt to over throw and prove the meta
narrative false. That being that humans and vampires can not co
exist, however Nessi and the other half vampire prove that they can.
Don't worry I haven't changed my mind on these books but wit this in
mind I realized something about my own vampire story.
The idea
that Vampires can be good takes them out of the realm of the
spiritual and goes more along the idea that vampirism is a diseases
rather then a spiritual condition. Ashes and Snowflakes is my attempt
to reassert that vampirism is a spiritual condition. I can see how
using the concepts behind literary alchemy can be helpful in telling
that story.
Lastly
I want to say something very briefly about how this might even be
effecting “My Epic”
though not much because really I want to say as little about this
project as possible. As I listened to John Granger talk about how
alchemy was every where and people were seeing it all over the place
I started to think 'wouldn't it be fun to completely screw with this
structure? Like make it look like it might be there but not really?”
and I started to think of how this might work in my top secret
project.
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